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by Donovan Tong
Recently I have been working on a blog that shows some famous bassoonists and when they switched to bassoon. My hope is that students considering the bassoon won’t be scared off because they think it is too late to switch! And in this time of uncertainty, when we wonder what the future holds, it’s important to remember that all kinds of orchestras and ensembles will always need us.
I have put together a version focused on famous Canadian bassoonists for the COCB site. Please visit my website, bossbassoon.com to read more stories about wonderful players of all ages and levels from around the globe.
But let’s say you have already been playing another instrument for many years. Are you wondering if you should give up your old instrument and “Is it too late for me to make the switch?”
Well, you might be relieved to hear that many of the famous Canadian bassoonists in the world actually started quite late, often either in middle school and high school…when they were somewhere between 12 and 16 years old! Not to mention those who start much much later. Given the large size of the bassoon, it is really common for players to come to it later in life, either as students or as adults.
Here are some of the top bassoonists in Canada and when they switched to bassoon:
Christopher Millard first started playing the bassoon when he was 15, after years as a pianist and saxophonist. Today he is one of Canada’s best-known woodwind artists, where he has been Principal Bassoon for the National Arts Centre Orchestra (NACO) since 2004, and before that, Principal for the Vancouver Symphony and the CBC Radio Orchestra for 29 seasons. He is currently a faculty member at the University of Ottawa.https://www.bossbassoon.com/christophermillard
Stéphane Lévesque first started playing the bassoon when he was in 11th grade. He has held the position of Principal bassoon with the Orchestre symphonique de Montréal (OSM) since 1998, and is a professor at McGill University where he was awarded the Schulich School of Music Teaching Award in 2011-12. He has given master classes in numerous music institutions throughout the world, including the Curtis Institute of Music, the Manhattan School of Music, the Oberlin Conservatory, the New World Symphony, the Glenn Gould School, the National School of Music (UNAM) in Mexico City, the Conservatoire National Supérieur de Musique in Lyon, and the Conservatoire de Lausanne (Switzerland). https://www.bossbassoon.com/stephanelevesque
Nadina Mackie Jackson first started playing the bassoon when she was 14, and formally with a bassoon instructor at 16. She went on to win her first first job with the Montreal Symphony at the age of 22. Today she is the most widely recorded Canadian bassoonist in history with 13 solo albums and 8 chamber music recordings. https://www.bossbassoon.com/nadinamackiejackson
Julia Lockhart first started playing the bassoon near the end of Grade 7 when she was 12 years old. She had played the clarinet all year, but wanted to switch to bassoon because she thought it was such a unique instrument. The band teacher let her take home a plastic Linton bassoon for the summer, and she learned a few of the basics from a Yamaha band book! She began playing in the Calgary Philharmonic Orchestra at age sixteen. Today she is Principal Bassoon for the Vancouver Symphony Orchestra and Adjunct Professor of bassoon at UBC. https://www.bossbassoon.com/julialockhart
Mathieu Lussier first started playing the bassoon when he was 12 when he started high school. Today, he is known for promoting he modern and baroque bassoon as a solo instrument. He is a member of the woodwind ensemble Pentaèdre de Montréal and is a professor at the University of Montreal. He is also an accomplished composer, with a catalogue of over 50 titles heard regularly in the concert halls of North America, Europe, Asia and Australia. https://www.bossbassoon.com/mathieulussier
If you’d like to see even more profiles and backgrounds for these famous bassoonists as well as many others from around the world, please feel free to check out the Famous Bassoonists section on the B.O.S.S. site.
To see stories of young aspiring bassoonists and how switching to the bassoon changed their lives, please check the Supporter Spotlight section on the main B.O.S.S. homepage.
There are also many wonderful organizations that help bassoonists start their journeys. The Council of Canadian Bassoonists (COCB) is a nationally registered charitable education organization comprised of Canadian bassoonists of all levels and their supporters. It is an amazing organization that has helped to inspire bassoonists of all ages. If you are a young musician in Canada looking for support regarding the bassoon, I would definitely recommend reaching out to them for advice. Also be sure to check out the International Double Reed Society.
And finally, here are some videos of today’s Canada’s late-starting bassoonists!
Christopher Millard making bread! https://youtu.be/aaGt-AZRd0Q
Julia Lockhart playing and talking about when she started the bassoon https://youtu.be/gECCZyDE2w0
A tutorial created by the renowned Canadian bassoonist Stéphane Lévesque, giving instructions on one of the famous classical pieces for the bassoon, Maurice Ravel’s Bolero! https://musaic.nws.edu/videos/ravel-bolero–2
And two for one, Mathieu Lussier conducting one of his compositions with Nadina Mackie Jackson as soloist https://youtu.be/3Nu62pl3rqc
Please let us know your own stories of starting the bassoon at any age and remember, now’s the time to play bassoon!
Fraser Jackson and Monique de Margerie invite you into their studio to hear Bill Douglas’s PARTITA for bassoon and piano.Join Fraser and Monique to hear this beautiful piece commissioned by many bassoonists in 2005 and to learn more about it’s creation.
To learn more about Bill Douglas
To learn more about Fraser Jackson
To learn more about Monique de Margarie
Fraser Jackson, contrabassoonist of the Toronto Symphony Orchestra, welcomes us into his studio to talk about the life and music of composer and pianist, Bill Douglas.
Be sure to join us again next week for Part II and Bill’s uplifting music played by Fraser Jackson and Monique de Margerie!
Read more about Bill Douglas
Read more about Fraser Jackson
Bill Douglas and Fraser Jackson, listening to playbacks during Caliban Quartet’s recording sessions for FEAST, featuring many works by Bill.
by Jesse Read
Hermann Armin von Kern (14 March 1838 – 18 January 1912) was an academic painter, one of the most popular Austrian genre painters of his time who worked at the court of Franz Josef I in Vienna. Being a very good pianist he often made music with his friend, the composer Franz Liszt. He trained in Prague, Vienna and Munich. A very prolific artist, working primarily in oils, Kern specialized in characters, settings, professions, and scenes of local activity.
In all of the paintings, the bassoon is similar, and perhaps he had a good friend who was a bassoonist. The instrument is of the Viennese flared bell type as shown in the examples below. Often the bell was made of metal, not unlike a trumpet or horn bell.
Another good image showing accurate keyword (and a fine stein!)
